An update of NFT law developments: India

    By Manisha Singh and Simtrat Kaur, LexOrbis
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    Non-fungible tokens (NFTs) have attracted a lot of hype globally in the past few years. Their popularity and valuation are growing exponentially in India too, so are the legal challenges associated with them. In this article, the authors throw light on some of these challenges.

    Manisha Singh LexOrbis
    Manisha Singh
    Founder Partner
    LexOrbis, New Delhi
    Tel: +91 98 1116 1518

    Starting with the basics, NFTs are blockchain-based tokens with a unique ID linked to an underlying asset, which cannot be replicated or tampered with. Most of the works that are traded as NFTs are photographs, artworks, video clips and such.

    Widespread infringement of the copyright in such works is taking place in the NFT space at two levels – by the NFT creator or seller who indulges in unauthorised minting or publication, and by the buyer who undertakes unauthorised reproduction and distribution of NFTs.

    A fair idea of the magnitude of this problem can be gleaned from a statement released earlier this year by the largest NFT marketplace, OpenSea, over pulling back a free listing tool on its platform because “more than 80% of the items created with this tool were plagiarised works, fake collections and spam”.

    However, the feature was rolled back because the NFT creators or platform users were not quite happy about this change. Hence, counterfeit NFT collections continue to flood the market.


    Even though this is a new form of infringement, India’s existing copyright law does give enough coverage. Under section 14 of the Indian Copyright Act (1956), the copyright owner of an original work owns a bundle of rights, including the right to make reproductions and adaptations.

    The minting or publishing a copyrighted work through an NFT and making it open to purchase involves making a copy of the work and communicating it to the buyer or potential buyers. Without a licence or authorisation of the copyright owner, this amounts to unauthorised reproduction and distribution, and hence copyright infringement under section 51 of the Copyright Act.

    When it comes to infringement by NFT buyers, it wouldn’t be wrong to say that many cases are instances of innocent infringement. People generally work on the understanding that once an NFT is purchased, they own the underlying asset or IP as well, which is not true.

    Upon purchase of the NFT, the buyer does not automatically acquire the rights in the underlying IP unless the same is assigned by way of a written agreement. When NFT buyers start reproducing the underlying video clip or artwork, make copies and put it to use commercially, they fail to understand they are acquiring only a metadata file that is a signed copy or receipt of the work , not the IP.


    Simtrat Kaur, LexOrbis
    Simtrat Kaur
    Associate Partner
    LexOrbis in New Delhi

    Owing to the peculiar nature of infringements taking place in this area, it is important to see how courts look at the issue and apply existing laws to this new phenomenon.

    No NFT-related copyright or trademark infringement issue has yet been decided by courts in India, however cases filed in other jurisdictions can be a good source of guiding vision. The first that comes to mind is the Hermès dispute in the US. Earlier this year, French luxury design house Hermès sued a Los Angeles-based artist, Mason Rothschild, alleging he created NFTs called “metabirkins” very similar to Hermès’ iconic “Birkin” bag. Hermès complained this was the same as counterfeiting in the offline world, and the artist earned thousands of US dollars selling the NFT, just like he would have earned by selling a counterfeit physical bag.

    The court’s decision is awaited, and once handed down will likely have major implications on how the world looks at infringement in the metaverse.

    There has also been a landmark development in Asia, with a Chinese court for the first time delivering judgment on an NFT-related copyright infringement lawsuit. Shenzhen Qice Diechu Cultural Creativity, the copyright owner of the “fat tiger” illustration series, sued Hangzhou Yuanyuzhou Technology, operators of an NFT digital art trading marketplace called Bigverse, alleging a user on their platform created and sold an NFT of digital work identical to the copyrighted work in question.

    The plaintiff alleged the NFT platform was guilty of contributory copyright infringement. The court held in Plaintiff’s favour ordering the platform to render the NFT inaccessible or non-transferrable, as well as pay damages.

    In India too, there is a provision of liability for contributory infringement under copyright law. But section 79 of the Information Technology Act, (2000), exempts intermediaries from all liability for the acts of users. NFT platforms are also likely to successfully claim the status of intermediary and hence a safe harbour.

    On digital NFT marketplaces, traders can buy and sell NFT tokens through the usage of cryptocurrencies. They are, therefore, online platforms that act as conduits between buyers and sellers of NFT assets.


    But to take protection under section 79, the intermediaries are required to release some due diligence burden. They need to take reasonable care and take prompt action if they gain knowledge that their platform is being exploited to facilitate illicit activity.

    If they don’t implement or follow the measures listed under the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules (2021), they can become liable for the act of user as a contributor or facilitator.

    E-commerce platforms like amazon and flipkart, and entertainment platforms like YouTube, all apply such measures,so should the NFT platforms. Due to their blockchain nature, NFT platforms might face some unique problems. But their core responsibilities and liability in cases of due diligence deficit should be the same.

    It is pertinent to note that, unlike an online platform that simply hosts content, NFT platforms offer the technology for creating an NFT and they automatically draft smart contracts for sales. Therefore, their role with respect to the content is not passive. Like e-commerce platforms, it is crucial to hold them liable if they don’t delist infringing collections when aware of them.

    Well-established digital platforms have account verification systems and offer some sort of automated system to identify, remove and prevent “copymints” (copying of authentic NFT content). OpenSea, for example, provides such a system. Its website states: “Our new copymint prevention system leverages computer vision tech to scan all NFTs on OpenSea (including new mints). The system then matches these scans against a set of authentic collections, starting with some of the most copy-minted collections – we’ll look for flips, rotations and other permutations. We’ll expand this set over the coming months and constantly train our models to improve detection.”

    The platform further mentions: “Our user safety team actively monitors the platform and removes fraudulent content as soon as it is discovered or reported by users.”

    All NFT platforms should be made to take such measures to stand compliant with the due diligence provisions of Intermediary Rules, or they should be made liable for contributory infringement


    Particularly with respect to trademarks, another question comes to mind on whether registrations in class 9 of the Nice classification should be a prerequisite to protect trademarks in the NFT space.

    For instance, if a footwear brand has registration in class 25 for its brand, can it file an infringement suit against an NFT minter who mints images of the same-looking footwear carrying the same brand? If not, does it mean that all the businesses or brands are expected to procure registration for their brands in class 9 if they wish to protect their brand in the metaverse?

    Assuming they obtain registrations for their brands in class 9, how would they maintain them after five years, if they fail to show actual use of the brands for virtual goods in the metaverse? Ideally, registrations should not be considered compulsory in class 9, and cross-class relevance factor should come into play here. However, it remains to be seen how courts look at this.

    If any copyrighted content is being licensed to a licensee by the copyright owner for any sort of digital usage, it’s important to expressly cover in the contract if such licence includes the right to NFT minting or not, so that the licensees don’t misuse the vague or broad language or clauses of the agreement.


    The above-mentioned examples raise just a handful of current issues or questions, with many new problems likely to emerge as NFTs gain more popularity.

    Although making people aware of the acts which amount to infringement may help a great deal, at least to minimise innocent infringements, it seems making the NFT platforms accountable along the lines of other intermediaries like YouTube and Amazon would finally provide for some real solution to NFT counterfeits because tracing individual infringers and going after each of them would be practically impossible for copyright owners.


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